Similarly, the music’s most towering figures, such as Beyoncé and Rihanna, can maintain their status as maga-stars without sacrificing their identity as R&B royalty, striking a balance that was nearly impossible to attain for Michael Jackson or Whitney Houston, even in their heydays. R&B and the indie-music underground used to exist on different planets today innovators like Frank Ocean, Childish Gambino, and Solange are beloved by the mass audience and the hipsterati alike. You can hear that in many of the songs that made this list, including entrants from Outkast, Pharrell, and Drake. Hip-hop and R&B, which began to merge in the Nineties, have enjoyed a symbiotic cohabitation, so much so that in December 1999, Billboard changed the name of its R&B chart to the Hot R&B/Hip-Hop Singles & Tracks. R&B hits omnivorously dominate the Top 10, often leaving room for little else.Īesthetically, it’s a sound that contains multitudes - there’s the organic traditionalism of neo-soul acts like Bilal, Jill Scott, and Erykah Badu, and the new piano-driven classicism of Alicia Keys and John Legend, to the futurism of Janelle Monáe, the goth moodiness of the Weeknd, the unapologetic realness of Monica and SZA, the trap soul of Bryson Tiller, and much more. Many of this century’s epochal blockbuster albums are R&B records: from Usher’s 10-times platinum Confessions, to Beyonce’s Lemonade, to Mariah Carey’s The Emancipation of Mimi, to Rihanna’s Anti. The genre has never been more successful, relevant, or ambitious. This century, it often feels more like the pop world is crossing over to R&B. For many decades, going as far back as the 1940s, artists from the world of R&B couldn’t really claim mainstream success until they’d crossed over to Top 40 radio and the pop charts.
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